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Awards won by Australian shorts (titles ‘N’)
1998–2000
Title
|
Event
|
Awards
|
Naked
Intent
|
St Kilda Film Festival
(May 2000)
|
Best Achievement
in Editing
|
Naked
Lady Vanishes, The
|
Chicago International
Film Festival (October 1998)
|
Gold Plaque, Student
Documentary Category Section
|
Nameday
|
VCA School of Film
and Television (December 2000)
|
Best Achievement
in Direction – Eleni Arbus
|
Neptune's
Basket
|
Queensland New
Filmmakers' Awards 1998 (April 1998)
|
Highly Commended
– David Megarrity, Kier Shorey and Anthony Mullins, Independent
Drama Section
Griffith University Award for Most Original
Script – Anthony Mullins and David Megarrity, Industry Section
|
Never
Too Latte
|
Australian
Cinematographers Society (ACS) Awards – NSW/ACT (November 2000)
|
Highly
Commended – Geoffrey Ellis, Fiction Drama Shorts Section
|
Cafe
Provincial Film Festival (March 1999)
|
Cafe
Provincial Prize for Best Film – Serge Ou
Australian Film Institute Distribution Award – Serge Ou
|
Tropfest
(February 1999)
|
Best
Original Score (shared) – Antonio Gambole
|
Nightlight,
The
|
Australian Cinematographers
Society (ACS) Awards – Victoria/ Tasmania (November 2000)
|
Gold – Vincent
Taylor, Fictional Drama Shorts, Cinema and TV Section
|
Nix
|
South Australian
Young Filmmakers Festival (December 1999)
|
Award of Merit
in EXperimental – Mark Pogorelec
|
No
Way to Forget
|
Edge of the World
Short Film Festival (January 1998)
|
Highly Commended
– Richard Frankland
|
Nobody
I Know
|
South Australian
Screen Showcase (July 1998)
|
Best Drama –
Andrew Porter
|
Noise
|
Nescafe
Short Film Awards (October 2000)
|
Open
Category Finalist
|
St
Kilda Film Festival (May 2000)
|
Best
Comedy
|
thecomedychannel
Short Film Festival (March 2000)
|
AFI
Distribution Award
|
Tropfest
(February 2000)
|
Third
Prize
Best Screenplay
|
None
Before Me
|
Bathurst
Film and Video Festival (July 1998)
|
Best
Animation – Michael Bishop
Highly Commended – Michael Bishop, Sound Design Section
|
Sydney
Fringe Film & Video Festival (January 1998)
|
Bronze
Thong (shared)
|
Source: Australian Film Commission
